My criticism on this topic isn’t attached to the rescue efforts, but to the media coverage.
Attempting to save people is a good thing. There’s few people so truly undeserving that they don’t deserve the attempt, and I don’t trust myself to make that distinction.
But what made this story such catnip to everyone who had a platform?
Was it the submarine? A conveyance so exotic it captures the imagination. Was it the passengers? Not famous but wealthy, and easy to know about. Was it the destination? Our obsession with the Titanic has a constantly refreshing shelf life, it seems. Or was it more morbid— the imaginary oxygen clock ticking down breath by breath, trapped beneath an uncaring sea.
Whatever thing or combination it was, this story was goddamn everywhere.
But I don’t know that the media ought to carry all the blame. They supplied the drug, but it’s not like we haven’t taken the hit every chance we can get.
Every story about every development gets comments and discussions. The story is the star of many a “have you heard?” conversation. And every schmo with a classist axe to grind is gleefully grinding it in the briny deep.
But maybe I’m chasing the wrong thing here; moralising about what is printed, what is read, and what the “right” kind of news is. It might be that “news as entertainment” is just something people like, and that there’s nothing inherently wrong in it besides what I was taught and have imagined to be so. Perhaps in accepting it as valid, I can retrain those criticisms on what actually is healthy or unhealthy about it.
If I remember correctly the Chilean miner rescue was covered as extensively here in Germany as the search for the Titan. Another example would be the Kursk drama, which received huge media coverage as well. I think it’s that these dramas unfold over several days and thus capture the interest of the people. The coverage would be far less if the fate of the submersible has been known on day one, as is often the case with the horrible deaths in the Mediterranean.
Novelty is key here. Novelty + Titanic + billionaires + hubris equals an unbeatable level of novelty in any news cycle. Tragically, immigrants drowning is no longer novel. Speaking of novel, I highly recommend The Beekeeper of Aleppo for anyone wanting an insight into why people cram onto these little boats and set sail. Warning: it is harrowing. Also, a shoutout to the RNLI, whose volunteers carry on saving lives at sea in the face of criticism. https://www.bbc.co.uk/news/uk-65893789
My criticism on this topic isn’t attached to the rescue efforts, but to the media coverage.
Attempting to save people is a good thing. There’s few people so truly undeserving that they don’t deserve the attempt, and I don’t trust myself to make that distinction.
But what made this story such catnip to everyone who had a platform?
Was it the submarine? A conveyance so exotic it captures the imagination. Was it the passengers? Not famous but wealthy, and easy to know about. Was it the destination? Our obsession with the Titanic has a constantly refreshing shelf life, it seems. Or was it more morbid— the imaginary oxygen clock ticking down breath by breath, trapped beneath an uncaring sea.
Whatever thing or combination it was, this story was goddamn everywhere.
But I don’t know that the media ought to carry all the blame. They supplied the drug, but it’s not like we haven’t taken the hit every chance we can get.
Every story about every development gets comments and discussions. The story is the star of many a “have you heard?” conversation. And every schmo with a classist axe to grind is gleefully grinding it in the briny deep.
But maybe I’m chasing the wrong thing here; moralising about what is printed, what is read, and what the “right” kind of news is. It might be that “news as entertainment” is just something people like, and that there’s nothing inherently wrong in it besides what I was taught and have imagined to be so. Perhaps in accepting it as valid, I can retrain those criticisms on what actually is healthy or unhealthy about it.
If I remember correctly the Chilean miner rescue was covered as extensively here in Germany as the search for the Titan. Another example would be the Kursk drama, which received huge media coverage as well. I think it’s that these dramas unfold over several days and thus capture the interest of the people. The coverage would be far less if the fate of the submersible has been known on day one, as is often the case with the horrible deaths in the Mediterranean.
Novelty is key here. Novelty + Titanic + billionaires + hubris equals an unbeatable level of novelty in any news cycle. Tragically, immigrants drowning is no longer novel. Speaking of novel, I highly recommend The Beekeeper of Aleppo for anyone wanting an insight into why people cram onto these little boats and set sail. Warning: it is harrowing. Also, a shoutout to the RNLI, whose volunteers carry on saving lives at sea in the face of criticism. https://www.bbc.co.uk/news/uk-65893789