It’s a slightly click-baity title, but as we’re still generating more content for our magazines, this one included, why not?

My Sci-fi unpopular opinion is that 2001: A Space Odyssey is nothing but pretentious, LSD fueled nonsense. I’ve tried watching it multiple times and each time I have absolutely no patience for the pointless little scenes which contain little to no depth or meaningful plot, all coalescing towards that 15 minute “journey” through space and series of hallucinations or whatever that are supposed to be deep, shake you to your foundations, and make you re-think the whole human condition.

But it doesn’t. Because it’s just pretentious, LSD fueled nonsense. Planet of the Apes was released in the same year and is, on every level, a better Sci-fi movie. It offers mystery, a consistent and engaging plot, relatable characters you actually care about, and asks a lot more questions about the world and our place in it.

It insists upon itself, Lois.

  • DuckCake@kbin.social
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    1 year ago

    The Last Jedi is the 2nd best Star Wars movie, period, behind Empire, IMO. Followed by Rogue One, so I can’t agree with you on that one.

    Rian Johnson gets so much insane criticism for TLJ, when he was just doing what he does - making great, original movies. If Kathleen Kennedy and JJ Abrams wanted a cohesive, overarching, three-movie storyline - like the guys down the hall at Marvel - they should have had it in place before pre-production began on The Force Awakens. Instead, you hire two directors to follow JJ who are both huge Star Wars fanboys and have visions of their own, and somehow you’re surprised when the guy who takes the baton for the sequel doesn’t walk a path he was never told existed.

    If what they wanted was Luke coming back and kicking ass, they probably could have found out in a 10 minute conversation that Rian Johnson wasn’t going to be their guy. But they gave him creative freedom! And the dude is an incredible writer and filmmaker; he probably looked at TFA and thought, “Well, okay, that was nice. But are we just remaking the original trilogy or…? Nah.”

    Then Disney doubled down on their mistake by, instead of taking things the new direction Rian had pointed them, bringing JJ back to steer things in to the most awkward, retconned, third-act ever. She’s a…Palpatine? And an “ancient” Sith artifact is a map that matches up to wreckage of the Death Star that’s like 50 years old? TF is happening?!

    Ugh. Aside from the heavy-handedness of the Canto Bight storyline - there had to be a gentler way to impart to Finn that fighting for big causes is always gonna leave you empty, it’s the “people you love” you fight for (or whatever) - TLJ is a freaking awesome movie.

    (Also, I agree with you about Andor not being the blueprint for everything SW going forward. This is a project that fits a very specific type of storytelling by its very nature. It won’t work for everything.)

    • jalda@kbin.social
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      1 year ago

      If what they wanted was Luke coming back and kicking ass, they probably could have found out in a 10 minute conversation that Rian Johnson wasn’t going to be their guy.

      If what they wanted was Luke coming back and kicking ass, they should have done so in TFA.

      Luke’s characterization is basically the only aspect that TLJ keeps from TFA. His nephew has turned to the dark side and cosplays as his father as a part of Galactic Empire 2: Electric Boogaloo, his sister was kicked off the government of the New Republic she helped to create, and his brother-in-law goes back to smuggling. And all that Luke does is playing galactic hide-and-seek? The Luke Skywalker of the OT would never abandon his friends, family and the galaxy, but that’s exactly what JJAbrams did with his character. Johnson did what he could to save that shipwreck, adding the motivation of his failure and struggle with the dark side. But for some reason, the haters of TLJ think that Johnson is responsible for Luke’s character assassination.