I’m in a place a lot of people get trapped in: lost in 4 or 8 bar loop hell.

Whether I’m sampling or arranging chords and melodies purely with synths, I’m generally able to come up with really catchy loops but I nearly always hit a wall face first when it comes to expanding on what I’ve created.

The laziest approach to this (and one I kind of default to) is to just keep adding elements to the original loop (add some hats after a while, add another synth playing an arpeggio off to the right with the gain low, etc) , but this just leaves me with a really heavily dressed up version of the loop by the end - at its core, it’s just the same exact melody for 32 or 64 bars or whatever with a bunch of crap that’s been slowly tacked on over time.

Alternately, I’ll remove elements or remove the drums for a few bars… these things can be nice and are certainly very useful techniques for general variation, but they don’t tackle the core problem: creating actual melodic variation in what I’m working on.

Interested in hearing your tips and tricks for switching up melodies.

  • omglongitude@waveform.social
    link
    fedilink
    English
    arrow-up
    3
    ·
    1 year ago

    Your loop is a journey from point A (the first chord or melody) to point B (the resolution) For variation, try taking different routes to reach point B. Or maybe point B changes to a different chord, something that doesn’t resolve. That will allow you to continue your journey to point C (a new chord) Now you can make your way back to point A, or back to point B, or somewhere else entirely. Enjoy the journey