Sure, and I’d say that’s piracy too. I wouldn’t mind if it wasn’t also being siloed into private hands to enrich the wealthy and screw the rest of us.
Sure, and I’d say that’s piracy too. I wouldn’t mind if it wasn’t also being siloed into private hands to enrich the wealthy and screw the rest of us.
Right, but nobody except grammar nazis and the sith deal in absolutes like that.
Obviously the signifiers have a level of stability otherwise nobody would understand any of it.
This is yet another way in which language and gender are analogous.
I’m pretty sure it already is. That’s why you have assholes rolling coal to trigger the libs.
Words are objects in a sense, although they are abstract, but there is no singular objective language in the same way that there is no objective gender. Both are intersubjective, they are interactions negotiated between subjects. There is no fixed object that you can point to and call “language” independent of a subjective experience of that language.
And your argument could be applied to expressions of gender. A feminine dress is an object, and a beard is an object. These are gender signifiers, but that doesn’t make gender itself objective in any way. The analogy to language is very close. They are both sets of signifiers.
It does change all the time, and dictionaries don’t ensure any kind of standard. The linguists who write dictionaries will tell you that their only function is to describe the most popular parts of the language, not to prescribe any particular rules. Telling people how they should speak doesn’t actually work.
I could say the phrase “abso-fucking-lutely” and you understand it, even though it’s not in the dictionary. That’s still language, it’s still English.
And I don’t know what you mean by a “‘hard’ contradiction” or why that matters. My point is that both language and gender are forms of communication that rely on socially constructed signifiers and they are both fluid to a similar degree, so the analogy is good. If you want to argue with me, that’s the point you should be dealing with.
I’d say if the copyright holder says you’re not allowed to then you’re not. It’s piracy.
People will tell you that you’ve already downloaded the data so saving it is fundamentally, technically no different, but that doesn’t matter to the law, it’s still piracy.
Like yeah, it’s absurd and pointless and anti-consumer and anti-knowledge and unenforceable and unsustainable, but that’s copyright. It’s always been that way.
Copyright destroys culture and piracy is our ethical duty in the face of that. The only reason to care about it is so you don’t get caught.
Right click -> inspect element (Q) works.
You can also press F12.
And if right click is blocked, on Firefox holding SHIFT will unblock right click. There is also a plugin that does this for you.
Often websites will put an invisible element in front of the content to intercept this trick, but you can navigate through the elements to find the one they were trying to obfuscate.
Language isn’t objective though. It wasn’t handed down from some deity.
Language is a constantly evolving negotiation of new and remixed communications, performed through billions of interactions every single day. It’s collaborative and unpredictable and sometimes someone comes up with something cool and the next day everybody is copying them.
In short, language is socially constructed.
I think it’s a great analogy for gender in that respect.
Yup, and there’s actually a closer-to-home question to answer along these lines, which is what to do about AGI, and I think the simple answer is that it also has full personhood and all the recognition that comes with that.
And there’s an obvious test to figure it out. It’s not the turing test, consciousness is self-reported. That is, whether we realise it or not, how we recognise that humans are conscious, and there’s no reason to expect machines would be any different. When they are people, they will tell us. We won’t be able to stop them because that’s what people do: they demand recognition.
It’s Buddy the Christ.
https://upload.wikimedia.org/wikipedia/en/9/93/Buddy_christ.jpg
Oh cool, I might give it another look.
Yeah, it’s possible that wasn’t an option back when I used it. I remember thinking that some sort of default off would be better. At the time I think it was either on by default and toggleable - I always toggled it - or it was just disabled and unwieldy to enable.
Edit: actually even better would be to have a short community written summary that could be more descriptive. Just like a popup or something. I don’t need the title to disappear, just know if the video is worth my time.
Oh but I bet that other person is 14 then. That’s obviously the substance of my critique, you win.
It’s weird, like the whole point of saying “it’s not because of corporate greed” is to rehabilitate their image and not look like soulless ghouls, so then he chases it up with something that makes him sound like a soulless ghoul.
Money and power really do make people stupid.
The problem I have with dearrow is that it’s editorialising and arbitrary. It’s not like removing ads which can be clearly identified and the user can make personal decisions, like no sponsors but self-promo is fine, or whatever.
No, there is one alternative title and one alternative thumbnail, and that’s it, and often I have serious disagreements with the choices the community makes. There’s a bias towards intervention, so if a title is fine according to me but someone else doesn’t like it, then it gets changed. I found most of my votes were to restore the original title and thumb. Eventually I got tired of it and just uninstalled, and presumably so did other people with the same feeling, so the community continues to skew towards changing every video they encounter.
Also, the thumbnails and titles that creators choose tells me a lot about them, and I get rid of clickbait by not engaging with creators that do clickbait. Also, sometimes it’s not clickbait, just people being creative. It seems like the whole thing is just an exercise in being the fun police by people that don’t understand the creative process.
Translation: “I have no way of arguing with this obvious and simply stated fact, so I’ll pretend they’re 14 and think it’s deep and then attack them for that. I’m 28 and this is a worthwhile use of my time.”
Cooking up charges and rigging a court case specifically to take you down is a different level of hate though.
Genuine answer is that you need to get a feel for when the clutch begins to bite. The rest of it - when to use the brake, handbrake etc, is going to depend on what you’re doing. Learning to feel the clutch is the critical skill.
The way to learn how to use the clutch is to start on a flat piece of ground with no traffic around, like an empty car park. With the engine running and the brakes off, press the clutch pedal and put the car into 1st gear. Then, slowly release the clutch pedal without using the throttle. Practice this until you can get the car moving without stalling the engine, and you’ll have a feel for it.
When starting normally you’ll gently press the throttle as you do this. Cars usually idle around 1K RPM, use the throttle to maintain about 2K RPM for a normal take-off.
Then all the other skills will fall into place. The key objective is that you should have the brake engaged until the moment the clutch engages and is ready to take control, then the brakes should be smoothly & quickly released.
You can do this with either the handbrake or the foot brake, but if you’re using the foot brake you need to be manipulating the clutch, brake and throttle at the same time.
That requires pressing both throttle and brake with the right foot, which is a more advanced technique, but very useful for smooth driving in a lot of situations. It’s often called “heel-toe”, but that’s misleading. You don’t use heel & toe, you use the two sides of your foot.
There are people that do it tastefully and people that are creative and interesting. If they can’t be interesting and descriptive to some extent then they’re probably not people I want to engage with.
And honestly, the titles were so bland they were almost snarky, and I never felt they were justified for the creators I watch. They were so laconic they were often barely informative anyway, because the flavour was gone. I think that’s because the people who have a good sense for editorialising aren’t going around writing aggressively literal titles all the time. The dearrow ecosystem is subject to algorithmic selection too, and it selects for boring.