OttoboyEmpire [none/use name]

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Joined 10 months ago
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Cake day: April 8th, 2025

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  • even years ago, had a buddy dating a girl younger and he was playing for her a personally curated playlist of all oldies. she didn’t like the playlist, she didn’t know any of the songs. he was incredulous and asked how she didn’t know any of the songs, and she replied, well i wasn’t around then, and then more incredulously he was like, ya, neither was I! – these are just the classic songs!

    like, she must’ve never listened to the radio. it’s just crazy and unexpected, that not only does the music changed, but the media by which is passed down has changed, to the degree that people don’t know righteous melody or whatever. i guess i assumed the post-war consensus and the subsequent development of “pop culture” would be a giant text for everybody, but really i was just living in the memories of boomers, their nostalgia becoming my nostalgia, and fascinating that that this will end with me I guess.










  • the finale is a great statement of purpose from Wes – Gustave’s fastidious attention to style and rules, reflecting Wes’s own, counterposed against the boorish cruelty of the fascists; a rebuke of the smoothbrain criticism which reduce him to merely engaging in superficial formalism or twee aesthetics – form is content, style substance, the love that Wes injects into every shot and composition emblematic of a deep appreciation of the World and experience and against indifference (and how true this is – how the fascists love soulless slop, and AI, and hate art and culture).

    there’s a lot of hay made out of what can be considered great conservative art ( if there’s truth or beauty in a work which is elides or rejects otherwise correct moral positions)-- never mentioned is that Wes is a great Burkean artist.