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Cake day: June 28th, 2023

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  • Teodomo@lemmy.worldtoxkcd@lemmy.worldxkcd #2942: Fluid Speech
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    5 months ago

    Wait, Verlan is l’envers, stromae is maestro… Is this Verlan thing just like Rioplatense Spanish’s Vesre? (Vesre basically means revés i.e. inverse)

    EDIT: Just looked it up on Wikipedia and it turns out this phenomenon happens in a number of languages: Riocontra in Italian (riocontra -> contrario), Podaná in Greek, Šatrovački in Serbia, Totoiana in Romanian.









  • I also think there is something to it just being the 90s or so and not having much choice.

    Absolutely. I enjoyed and played a lot out of King of Dragon Pass back in the day. Yesterday I sat down to finally play its spiritual successor Six Ages: Ride Like the Wind. From what I remember from KoDP it plays exactly the same (at least during the first hour). Yet I couldn’t force myself to keep playing it. Same way nowadays I can’t seem to get hooked with genres I used to play a ton as a kid: RTS games like Age of Empires II and Warcraft 3, life sims like The Sims, point & click graphic adventures like Monkey Island, traditional roguelikes, city builders, etc. Other genres I try to get back into and I do manage to play a ton of hours of but I’m never able to finish like when I was young (e.g. JRPGs)

    When I try to play many of those games I tend to feel kinda impatient and wanting to use my limited time to play something else that I feel I might enjoy better. A good modern 4X game with lots of mod support like Stellaris or Civ6 instead of RTS games which have always felt a bit clunky to me. Short narrative games like Citizen Sleeper or Roadwarden instead of longer ones I’m not able to finish. Any addictive modern roguelite, especially if it features mechanics I particularly like (like deckbuilding and turn-based combat). If I ever feel interested to play a life sim or a city builder nowadays it has to feature more RPG elements and/or iterative elements and/or deckbuilding and a very compelling setting to me. And so on.

    It feels like many of the newer genres (or the updated versions of old genres) are just more polished and fine-tuned than genres that used to be popular in the 90s and the 2000s. They just feel better to play. And to be fair in some cases they might be engineered to be more addicting, too. Like, I did finish Thimbleweed Park some years ago but I feel like nowadays no one is going to play witty point & click graphic adventure games with obscure puzzles if they can play a nice-looking adventure game filled with gacha waifus.



  • cultural marxism

    As someone who lost a friend to that rabbit hole, I really think we should put that far right conspiracy theory between quotation marks when named alongside things that actually exist. Communism and feminism are real (even if they are perceived as demonic by these people, they still at least exist). “Cultural marxism” doesn’t even have entity, it’s just bullshit entirely made up by the usual grifters





  • When Twitter was bought by Musk I rushed to create myself a Mastodon. My hope was that most of the interesting, thoughtful people I followed on Twitter would eventually end up on Mastodon as Musk slowly ruined the platform. I kept my Twitter up just to keep tabs on them and grab their Mastodon handles as they shared them.

    In the end, around half of them created Mastodon accounts that I follow to this day. All of them are inactive now.

    At the same time I noticed more and more of them creating BS accounts. I think around 80% of them ended up in it. They’re still quite active in BS to this day.

    I open Mastodon and BS once daily. Former rarely has new posts, latter always has.

    I really wanted all of them on Mastodon. I don’t trust a corpo like BS. But the particular type of crowd I followed on Twitter (progressive essayists/humanities people, game journalists, artists, non-dev hobbyists, etc) seems to have mostly gone to BS, stayed on Twitter, gone to Cohost or back to Tumblr, or abandoned social media. I did find some interesting people active on Mastodon, mostly accesibility advocates, a couple of devs of games I loved and a few non brainrotten IT people. But the level of activity from my spheres of interest seems much higher on BS right now sadly.




  • Yeah. It’s weird, almost all of these have some level of controversy. Starfield. Hogwarts Legacy and Rowling’s transphobia controversies. There were attempted boycotts of Atomic Heart by Ukraine sympathizers for a variety of alleged reasons. Some lifelong fans of The Last of Us were reneging of the franchise after learning that its creator Neil Druckmann was inspired by Israel-Palestina to create TLOU and recently posted an Israel flag in his Instagram. There was controversy about Dave the Diver being considered an indie game by most casual people (and being nominated as such for awards) and further discussion about what’s an indie. SIFU was criticized by journalists for negative portrayal of a foreign culture and briefly became a bit of a darling for online right-wingers that hate video game journalists. Even Baldur’s Gate 3 was milked a bit as a darling by people that generally dislike current video game devs and accuse them of being lazy. I also even saw someone using solo-developed Lethal Company as a bludgeon against other developers. Only ones I don’t remember seeing controversies about are Labyrinthine and Red Dead Redemption 2.

    It almost feels like the classic coordinated troll-voting campaign by 4chan or whatever but those tend to have a right-wing bend and I don’t know if they would’ve voted for Atomic Heart (I don’t know if the would have voted BG3 either but I assume that one’s kinda unstoppable). It’s kind of weird because a couple years ago when Trump was praising Russia right-wing gamers might have voted for the Russia game to piss off liberals. But with the current wars there’s a lot of right-wingers supporting Ukraine and Israel. So I don’t know.