As an out of work union filmmaker, unless you want the film industry to die, please don’t pay for this. It encourages studios to stop making new content, simply rereleasing their old content. The film industry is hanging on by a thread as it is right now. Many of us are going to leave to start new careers FAR too late in life to be taken seriously.
I understand your point, but for most of the year more than half of every cinema screens are showing marvel/disney trash that even your average movie goer is sick of. Going to one of two screenings of an old, actually good movie isn’t going to make or break the industry.
The industry is broken. The marvel shit and allowing the studio heads to deeply involve themselves in the creative process through nepotism and ego are what brought us here.
They don’t even care if the content is good anymore. They have insurance. I worked on Madame Webb and got the sense that they knew it was going to bomb. They have stockpiles of the good stuff to fall back on if they get desperate for money.
The Matrix was made in a time that will never happen again.
Anyway, it is my opinion that going to see this movie actively encourages the film industry to continue their fall into mediocrity unchecked. If one dislikes the super hero shit, don’t go see anything until they put out a new movie. Thats just my advice. Again. Do whatever you want…
I haven’t paid for movies in about 6 years now. Literally nothing of interest. I have basically banned all forms of corpo media as a result of their lazyness and garbage. I’m doing my part
When streaming began, I was screaming from the rooftops that we should take the failure of the music industry as a cautionary tale against streaming services. My solution was a decentralized streaming platform that charges users a monthly fee and pays content creators fairly by dividing total viewing time per month.
Since those greedy assholes couldn’t be bothered to listen and have instead moved to the subscription model, competing with massive warchests of licensed-content rather than making any new content, I say fuck em. Pirate it if you will. Netflix and the 500 other walled-gardens have fragmented their own content into irrelevancy.
I say we let the content compete on the open market instead of forcing users to make allegiances with a handful of gatekeepers.
Not a single production is working right now. Ask me how I know. I worked on a few Netflix productions in the past year or two. One will be released soon.
What Netflix et all are shooting right now is MAYBE like 6 productions across the entirety of the world. They were ALL waiting for the new contracts before they greenlit projects. It has been like that for a few years now.
It used to be that LA and NYC would be working non stop. No one is working right now.
Honestly you’re doing more good than harm. The content they put out lately (they make people pay and STILL make them watch ads!) isn’t good enough to deserve our money. The way that they fragmented the content into walled gardens, again, deserves to have us vote with our wallets until they can offer something less rent-seeking.
Funny how people say this, then the moment an original movie comes out they ignore or shit on it. Disney is an example, their last 4 or 5 original animated movies have flopped, meanwhile sequels are raking in the cash. It’s no wonder studios go that way. People shit all over Disney’s original releases this past year.
I think you’re conflating two different parties of people. I LOVE good content. There hasn’t been much good content released in a decade.
Did you see Free Guy? That wasn’t bad at all.
Dune was pretty good. They seemed to get out of Villanueve’s way to let him tell the story how he saw fit. They were a rare, well-made, nearly unanimously agreed-upon good series of movies.
IMO, it’s Disney funding nepotism in that case. Rather than hiring a creative genius (like a David Fincher or Alfonso Cuaron), they prefer to consider someone that ticks their identity politics focus group numbers BEFORE they think about that director’s talent.
If they hired talented directors rather than their buddies and gave them the freedom of CREATIVE CONTROL (like they would give someone like Spielberg or another auteur) they might be shocked at how much better the content is. But the reality is: the studios make nepotistic hires above the line and, at every single turn, micromanage, withhold funding, and focus-group the production into a stiff, lifeless PC representation of their corporate identity. Marvel/Disney and Netflix are ESPECIALLY guilty of this. Seen that one with Gal Gadot, Ryan Reynolds, and The Rock? What the fuck was that? It was like a whole movie of stupid cameos and dumbass plot twists/plot holes. It felt like it was written by a studio head.
Controversy is actively avoided…and controversy/doing unconventional things is the LIFEBLOOD of good content.
As an out of work union filmmaker, unless you want the film industry to die, please don’t pay for this. It encourages studios to stop making new content, simply rereleasing their old content. The film industry is hanging on by a thread as it is right now. Many of us are going to leave to start new careers FAR too late in life to be taken seriously.
I understand your point, but for most of the year more than half of every cinema screens are showing marvel/disney trash that even your average movie goer is sick of. Going to one of two screenings of an old, actually good movie isn’t going to make or break the industry.
Do what you want, brother.
The industry is broken. The marvel shit and allowing the studio heads to deeply involve themselves in the creative process through nepotism and ego are what brought us here.
They don’t even care if the content is good anymore. They have insurance. I worked on Madame Webb and got the sense that they knew it was going to bomb. They have stockpiles of the good stuff to fall back on if they get desperate for money.
The Matrix was made in a time that will never happen again.
Anyway, it is my opinion that going to see this movie actively encourages the film industry to continue their fall into mediocrity unchecked. If one dislikes the super hero shit, don’t go see anything until they put out a new movie. Thats just my advice. Again. Do whatever you want…
Would you mind doing an AMA?
Sorry. I don’t want to dox myself even further.
Understood.
I’m just here to say I appreciate your insight.
No problem. Thanks for your compassion. My colleagues and I sincerely appreciate it.
I haven’t paid for movies in about 6 years now. Literally nothing of interest. I have basically banned all forms of corpo media as a result of their lazyness and garbage. I’m doing my part
When streaming began, I was screaming from the rooftops that we should take the failure of the music industry as a cautionary tale against streaming services. My solution was a decentralized streaming platform that charges users a monthly fee and pays content creators fairly by dividing total viewing time per month.
Since those greedy assholes couldn’t be bothered to listen and have instead moved to the subscription model, competing with massive warchests of licensed-content rather than making any new content, I say fuck em. Pirate it if you will. Netflix and the 500 other walled-gardens have fragmented their own content into irrelevancy.
I say we let the content compete on the open market instead of forcing users to make allegiances with a handful of gatekeepers.
Ummm… Netflix is producing massive quantities of new content.
It might not all be good, it might be repetitive or you might not like it, but it’s a lot.
Not a single production is working right now. Ask me how I know. I worked on a few Netflix productions in the past year or two. One will be released soon.
What Netflix et all are shooting right now is MAYBE like 6 productions across the entirety of the world. They were ALL waiting for the new contracts before they greenlit projects. It has been like that for a few years now.
It used to be that LA and NYC would be working non stop. No one is working right now.
I don’t think you really grasped his point.
Probably not, I’m pretty stupid at times
Honestly you’re doing more good than harm. The content they put out lately (they make people pay and STILL make them watch ads!) isn’t good enough to deserve our money. The way that they fragmented the content into walled gardens, again, deserves to have us vote with our wallets until they can offer something less rent-seeking.
Funny how people say this, then the moment an original movie comes out they ignore or shit on it. Disney is an example, their last 4 or 5 original animated movies have flopped, meanwhile sequels are raking in the cash. It’s no wonder studios go that way. People shit all over Disney’s original releases this past year.
I think you’re conflating two different parties of people. I LOVE good content. There hasn’t been much good content released in a decade.
Did you see Free Guy? That wasn’t bad at all.
Dune was pretty good. They seemed to get out of Villanueve’s way to let him tell the story how he saw fit. They were a rare, well-made, nearly unanimously agreed-upon good series of movies.
IMO, it’s Disney funding nepotism in that case. Rather than hiring a creative genius (like a David Fincher or Alfonso Cuaron), they prefer to consider someone that ticks their identity politics focus group numbers BEFORE they think about that director’s talent.
If they hired talented directors rather than their buddies and gave them the freedom of CREATIVE CONTROL (like they would give someone like Spielberg or another auteur) they might be shocked at how much better the content is. But the reality is: the studios make nepotistic hires above the line and, at every single turn, micromanage, withhold funding, and focus-group the production into a stiff, lifeless PC representation of their corporate identity. Marvel/Disney and Netflix are ESPECIALLY guilty of this. Seen that one with Gal Gadot, Ryan Reynolds, and The Rock? What the fuck was that? It was like a whole movie of stupid cameos and dumbass plot twists/plot holes. It felt like it was written by a studio head.
Controversy is actively avoided…and controversy/doing unconventional things is the LIFEBLOOD of good content.