The debut from the North Korean duo emerges as a curious and fascinating apparition from a land seldom associated with the musical genres of black or thrash metal. Across its three succinct invocations, this Rason-based act conjures a spirit that recalls the primitive ferocity of Bathory’s earliest outpourings, yet filtered through a stark, isolated atmosphere that feels distinctly their own, cold, vigilant, and unyielding as the mountains of Paektu themselves.