Brian Cox thinks cinema is “in a very bad way,” with the Marvel and DC Universes partly to blame.
The legendary actor of stage and screen – who most recently garnered critical acclaim for his award-winning role in HBO’s Succession – spoke at an Edinburgh International Film Festival panel on Saturday. When asked about the recent successes of globally popular TV shows, Cox cited the latest MCU installment Deadpool & Wolverine as a great example of cinematic “party time”.
“What’s happened is that television is doing what cinema used to do,” Cox told the audience of television’s originality. “I think cinema is in a very bad way. I think it’s lost its place because of, partly, the grandiose element between Marvel, DC and all of that. And I think it’s beginning to implode, actually. You’re kind of losing the plot.”
He discussed Ryan Reynolds and Hugh Jackman of Deadpool & Wolverine while referencing how films are “making a lot of money that’ll make everybody happy, but in terms of the work, it becomes diluted afterwards. You’re getting the same old… I mean, I’ve done those kind of [projects].”
Cox starred as William Stryker Jr. in X2: X-Men United (a military scientist who persuades Logan to become Wolverine), and admittedly said he “forgets” about the fact he “created” Wolverine. “Deadpool meets the guy… Wolverine, who I created, but I’ve forgotten. Actually,” he jokes, “When those films are on, there’s always a bit of me [as Stryker] and they never pay me any money.”
“So it’s just become a party time for certain actors to do this stuff,” Cox added. “When you know that Hugh Jackman can do a bit more, Ryan Reynolds… but it’s because they go down that road and it’s box office. They make a lot of money. You can’t knock it.”
Television is pulling ahead, he continued, with incredible shows like Jesse Armstrong’s Succession and Netflix’s Ripley, starring Andrew Scott. “There’s so many [shows] and you’ve got the honor of telling the story over a period of time.” The actor said movies of his childhood such as On the Waterfront are what made him want to “be the actor I’ve become,” but it’s partially eradicated.
I get what he’s saying. Quality of TV shows and televisions themselves have been going up, whereas theaters are not filling the seats like they used to. People are only going to see the blockbusters and leaving the thoughtfully paces stuff for home viewing. And obviously, studios are gonna play to the fan service
If a film is 90% faces of people talking, it belongs on a face-sized screen. If it’s mostly people doing things that are reasonably done in a living room, it belongs in my living room. Now, I’m going to have to wait and see D&W in my home too, because of family constraints. And I’m going to have to play it at a reasonable volume, with captions. But it belongs on a big screen, in a big theater, with big noise. And big popcorn. Hugh didn’t spend all that effort getting hugely jacked again for nothing, and Ryan’s antics need elbow room.
Especially with the prices of movies, i wanna go to a movie that i know will blow my socks off. The thoughtful ones i honestly prefer for home viewing because i decide the atmosphere and can pause if i need to take a moment. Plus thoughtful, for me, works better in longform TV and bombastic crazy works better as movies. There are exceptions of course.